Wilfred Owen was a WW1 poet who wrote poems to show those back in England what trench warfare was really like. He wrote his poems to give the soldiers a voice and used a variety of techniques that make his poems widely recognisable.
Owen’s early poems have strong full rhyme whereas later on he develops into using half para-rhymes. In addition to this he uses consonance, for example in ‘The Last Laugh’ he uses “Dad” & “Dead” and “grinned” & “groaned”. This links the two lines but without the regularity of a full rhyme. Owen’s poetry is sometimes written in a form close to a sonnet, the Elizabethan sonnet rhyme scheme is ‘ababcdcdefefgg’ whereas in ‘How to Die’ Owen writes with this rhyme scheme: ‘ababcdcdefefghgh’. As sonnets are poems to argue then the reason for Owen’s poetry could be seen in a number of ways. It could be argued that because of Owen’s sonnet-like poems he could be arguing on behalf of the voiceless soldiers. However it could also be said that because his poetry isn’t in the form of a perfect sonnet that he is against arguing and conflict and thus against war, a major theme in his works.
Owen also uses onomatopoeic alliteration to create noise, in ‘Arms and the Boy’ the sound of bullets is created in the phrase “blind, blunt bullet-leads” and the sound of rifles being shot is represented by the “rifles’ rapid rattle” in ‘Anthem for Doomed Youth’. The noise reflects the sheer noise of constant shelling and gunshot, one of the primary reasons for shellshock. The punctuation is used to create pauses in his poetry. Owen famously said that the poetry is in the pity and that the pity is in the punctuation; he pities the subjects of his poetry, feeling sorrow, sympathy, compassion and a strong desire to help and alleviate the suffering that the soldiers have to endure.
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