A couplet of questions.

These are two separate essays, so points may be repeated!

Many of Yeats’ poems explore the breaking of dreams. How does ‘The Stolen Child’ suggest the illusion of dreams and the dream of illusion?

‘The Stolen Child’ is a very childish, playful and dreamlike poem. There are illusions in the setting and the faeries, which/who lures the child into being abducted. It has four stanzas of varying length, showing change. It is a narrative viewpoint with ballad like qualities,  similar to a monologue. The rhyme and rhythm flows like the water in the poem, evoking a magical atmosphere.

In the poem a human child is taken to the ethereal and playful supernatural world by the faeries, yet the faeries are not good. They seem to be upset that the human world is full of “weeping” and thus they appear to be saving a human child and offering him a release. However they are stealing him away to their world. The use of the word ‘we’ to describe the faeries show how separate they are from the humans.

Despite the enchanting nature of the poem’s lyricism there are hints at the sinister plans of the faeries. The title itself, ‘The Stolen Child’, very plainly shows that the Child will be stolen. The phrase “reddest stolen cherries” anticipates the human theft at the end of the poem. It also suggests the hoarding of the most precious things, and the colour may suggest blood and some act of violation against innocence and nature, i.e. rape.

This dreamlike setting is an illusion for the child, to attract him towards the faeries. However the child may have dreamt of such illusion. Many children have a strong imagination that means they would love to see a different world, an elaborate and enchanting faery kingdom. And yet the dream that the child encounters is just that, a dream, an illusion. It’s a trap set by the faeries to entice him.

The language in the poem has lots of adjectives, making the poem sensuous, with a honeyed and childlike quality, “leafy island”, “flapping herons”, “frothy bubbles”. This makes the poem seem aimed towards children, and in particular the Child. This shows how the setting is an illusion that has been made to lure the child. 

The end of the poem shows the sinister ending to the poem. The word “you” to represent the child is changed to “he”, the Child has gone with the faeries. The word “he” sounds disconnected, distant, as if he’s gone. It also shows how evil the faeries are, they don’t even know his name.

Compare the style and theme of ‘The Stolen Child’ with the realism and disillusion of ‘September 1913’ and explore the differences.

‘The Stolen Child’ and ‘September 1913’ are almost polar opposite poems. ‘The Stolen Child’ explores the dangers of the supernatural and almost perfect beauty whereas ‘September 1913′ condemns the apathy of the Irish at the time. Yeats’ early writing see him turn from the realistic political times by seeking the morals in older tales and legends.

Both poems contain 4 stanzas, yet ‘The Stolen Child’ has stanzas of varying length to show change, whereas ‘September 1913’ has stanzas of the same length to show the stability that Yeats wants in Ireland. ‘The Stolen Child’ shows faeries stealing a human child, and ‘September 1913’ is a direct challenge to the Irish in 1913. The rhythm and rhyme in ‘The Stolen Child’ gives the poem a mystical flow and a magical atmosphere, whereas in ‘September 1913’ it gives a mocking tone, showing how Yeats is mocking the Catholics who have “dried the marrow from the bone” of Ireland.

Both poems use a refrain to link the stanzas, and in the last stanza this changes. In ‘September 1913’ the refrain changes from “Romantic Ireland’s dead and gone, It’s with O’Leary in the grave” to “But let them be, they’re dead and gone, They’re with O’Leary in the grave”. Originally Yeats was showing how Ireland had changed, the Nationalists were acting in an angry and bitter way,  whereas he changed his mind, he doesn’t want the heroes of the past to see the awful nature of 1913 as they’d be ashamed. In ‘The Stolen Child’ the refrain changes “Come away, O human child! To the waters and the wild With a faery, hand in hand, For the worlds more full of weeping than you can understand.” by changing “you” and “human child” to “he” making a more disconnected character, as the child has left. The changes mean different things, in ‘The Stolen Child’ it shows the change and the sinister end to the story, whereas in ‘September 1913’ it shows the changed attitude of the poet.

‘September 1913’ is a very blunt poem, saying things as they are, it doesn’t sugar coat the facts, or make illusions to make the world seem better (like in ‘The Stolen Child’) – “fumble in a greasy till”. The language in the poem is serious, as it deals with conflict, whereas the language in ‘The Stolen Child’ is very sensuous, attracting the child: “wandering water”, “young streams”, “flapping herons”,”leafy island”.

Thanks for reading,

Jack   

Advertisements

2 thoughts on “A couplet of questions.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s